Episode 201

In 1997, when I was in fourth grade, a new television show appeared on the cable channel Comedy Central. This show was called Southpark and it followed four foul-mouthed third-grade boys (one of whom mysteriously died each episode but was always back for the next one). I did not have cable at the time, but I remember what a stir this show caused. First of all, it was the first weekly M-rated show allowed on TV. Second, it was a cartoon, and thusly attracted (poorly-supervised) children to watch a show that was clearly not directed at them. As I got older, I endured long bus rides to and from school each day where my fellow students spent the entire trip repeatedly saying, “Respect my author-i-ty!”, “Oh my God, they killed Kenny! You bastards!”, and “Screw you guys, I’m going home.” As these kids on my bus were my only source of information on the show, I assumed that Southpark was a dumb show that attracted drooling idiots (the kids on my bus). At some point during my sophomore year of high school, my family got satellite, but due to my initial impressions of the show, I never watched it.

Then, at some point during my college career, I caught an episode or two of the show in a friend’s room. I think maybe the first one I saw was “Stupid Spoiled Whore Video Playset,” which is the one that lampooned Paris Hilton and pointed out her negative influence on young girls. I remember thinking that this was pretty awesome, because I’ve always disliked Paris Hilton. Over time, I saw more episodes and realized that the show is actually pretty intelligent. Yes, it’s crude. Yes, they make fun of religion. Yes, Cartman is anti-Semitic, annoying, and ridiculous. Yes, Kenny is sex-obsessed and comes from a terrible family. But you have to remember, Cartman and Kenny aren’t the main characters. They are just there for comic relief & plot devices. Stan and Kyle are the main characters, and through them Matt Stone & Trey Parker express their views on politics, celebrities, the economy, and other topics of note. The great thing about Southpark is that they are truly unbiased – they lambaste conservatives AND liberals, which is rare these days. They mocked Al Gore mercilessly over his global warming alarmism. However, they also mocked Glenn Beck. I like Glenn Beck, but I’m glad they made fun of him because for awhile his book promoting was overshadowing his message. They skewered Kanye West for his self-absorbed nature (he still doesn’t get the gay fish joke), and they criticized Paris Hilton and parents who let their daughters idolize her and other young socialites/pop tarts. Southpark keeps public figures on their toes. Because the show takes so little time to produce, the producers are able to react quickly to breaking news, which keeps it relevant. This is why I think Southpark is probably one of the most important shows on TV today.

It seems, however, that Trey and Matt have come under attack for their recent 200th and 201st episodes, because they put the Muslim prophet Muhammad in these episodes, which is forbidden by the Islamic faith. Since Matt & Trey aren’t Muslim, they don’t really give a damn that they can’t do this. America is not a majority-Muslim nation, so it makes no sense for Comedy Central to censor the image of Muhammad. But, that is exactly what they did in both episodes. After the 200th episode aired, a radical Islamic website made death threats against the Southpark creators if episode 201 aired. Comedy Central aired it anyway, but they covered all images of Muhammad with a black censor bar, bleeped out his name when spoken by a character, and, according to Matt & Trey, they censored Kyle’s trademark end-of-episode speech which didn’t even mention Muhammad. This is the statement from the creators, taken from the Southpark website (www.southparkstudios.com):

“In the 14 years we’ve been doing South Park we have never done a show that we couldn’t stand behind. We delivered our version of the show to Comedy Central and they made a determination to alter the episode. It wasn’t some meta-joke on our part. Comedy Central added the bleeps. In fact, Kyle’s customary final speech was about intimidation and fear. It didn’t mention Muhammad at all but it got bleeped too. We’ll be back next week with a whole new show about something completely different and we’ll see what happens to it.”

In defense of Matt & Trey (and Stan, Kyle, Kenny & Cartman), I just want to say this: This is the United States of America. The First Amendment to our Constitution outlines one of the most important freedoms ever allowed to any people in the history of the world – the freedom of speech. The Southpark creators had every right to have their episode aired uncensored by the network. If Muslims did not want to see it, they could do what Christians are told to do when something offends us: Look away. Don’t watch it. Change the channel. It is unacceptable for Comedy Central to give in to terrorism. If Matt & Trey were unfazed by the threats, which were directed at them personally, not at the network, then Comedy Central should have been undaunted. In the name of freedom of speech, of freedom of religion, and of not tolerating irrational fringe groups, Comedy Central should re-air episode 201, completely uncensored. I know this seems like a small battle, but I think symbolically, it’s an important one. Kyle summed it up well in an earlier episode regarding Muhammad (Cartoon Wars Part II):

“You can’t do what HE wants, just because HE’S the one threatening you with violence. Yes, people can get hurt. That’s how terrorism works. But if you give in to that, Doug, you’re ALLOWING terrorism to work. Do the right thing here… If you censor out Muhammad, then soon you’ll have to censor out more. If you don’t show Muhammad, then you’re making a distinction between what IS okay to poke fun at and what isn’t. Either it’s all okay, or none of it is. Do the right thing. Show Muhammad. DO THE RIGHT THING.”

I couldn’t have said it better myself, Kyle.

Advertisements

The 2000s: Why Some of the Music was OK

I don’t like making such a negative post about something as broad as an entire decade without counterbalancing it with the positive about said topic. In my previous post, I listed the 10 worst things about music in the 2000s (in my humble opinion), and now I will list the ten best (also my opinion). Please note: I did borrow some of these from Rolling Stone.

1. The creation of the iPod. Whether you own a name brand iPod or general mp3 player, you cannot deny the revolution in music listening that is this little device. We have gone, in just 25 short years, from carrying around a ghetto blaster that required 4 D batteries, to the walkman, to the Discman, to the tiniest of iPods that simply charge by being plugged into your computer. They are tiny, portable, and are great for exercising because they don’t “skip” like Discmans do. Truly an amazing device.

2. The revival of outdoor festivals. Woodstock-style festivals got a bad rap in the ‘90s due to some out-of-control rioting that took place during some of the shows. Fortunately, the ‘00s brought back some of the original awesomeness with festivals like Bonnaroo and Lollapalooza. Tons of great bands, hippies selling handicrafts, a cloud of smoke that can be seen from space. I have unfortunately not been to one of these yet, but when I get the time and money, I’m going.

3. The Better Life by 3 Doors Down. 3 Doors Down had one of the best debut albums of the decade. They were just rock music, pure and simple. They sang about struggles with drugs, the desire to live life on your own terms, not having enough time in the day, and they even had a touching little pseudo-balled (“So I Need You”). Besides, who DIDN’T love “Kryptonite?”

4. The end of boy bands (sort of). Yeah, we still have the Jonas Brothers to deal with, but I don’t think they’re anywhere near the level of the Backstreet Boys or ‘NSync. The boy band craze hit its peak in the late 1990s, and carried over into the very early 2000s, but it had pretty much died out by 2001, much to the devastation of 12-year-old girls everywhere.

5. Southpark makes fun of Kanye West. “Golddigger” was a pretty funny and catchy song. But funny and catchy does not the genius voice of a generation make. Southpark skewered the heck out of Kanye West in the “Fishsticks” episode. I still don’t think he gets the joke.

6. Incubus, Tool, the Red Hot Chili Peppers, and a few other bands from the ‘90s continued to make music.

7. Toby Keith tells off terrorists. Ok, so I’m not a big country fan anymore, even though I grew up listening to it, but I had to put this on here. Regardless of whether or not you like him, the mental image of Toby Keith (or anyone else, for that matter) putting a boot in Osama bin Laden’s ass is bound to make you chuckle, or at least crack a smile.

8. The release of Chinese Democracy. This is not on here because it was a great album – it wasn’t. But maybe now that it’s out and it flopped, Axl Rose will keep in mind that he’s not all that great without the rest of Guns N Roses. And hopefully, this will cure the ego disease that plagues many a frontman and causes them to leave a perfectly good band to pursue a solo career.

9. Fewer rappers got shot (I think). While I was researching the deaths in music in the 2000s for my last post, I found that yes, plenty of rappers still got shot in the 2000s. But the violence that seemed so prevalent (and that took out legends 2Pac and Notorious B.I.G) in the 1990s was less common in the 2000s, at least in mainstream rap. Gang violence doesn’t seem as common now as it did in the ‘90s, and drive-bys aren’t as glorified. It seems that rappers are battling it out on the mic instead of in the streets. Besides, who has time to orchestrate a gun battle when you’re busy pimpin’ your bitches and hos in da club?

10. The rise of online downloads. Napster might be gone (thanks a lot, Metallica), but dozens of new p2p software rose out of its ashes. Online downloads allowed young people to discover older bands that they might have heard of but didn’t know anything about, and it also allowed poor folks with computer access to loot and pillage the music industry from our desk chairs, even while the RIAA had a decade-long panic attack about it.

So there you have it: the good, the bad, and the ugly from the 2000s, in the humble opinions of one little Sheep.